Tuesday, 7 July 2015

This Week In 1985: July 7, 1985

For Pat Benatar, it's a chore to sing "Hit Me With Your Best Shot", while R.E.M. hate "Shiny Happy People" so much they left it off their best of album. Then there's the song that's been number 1 on the last few weeks of my 1990 posts"All I Wanna Do Is Make Love To You" by Heart, who didn't want to record the song and now decline to perform it in concert.

The cast of The Goonies loved it when Cyndi stopped by for a sing-along

Yep, just because a song becomes a big hit doesn't mean the artist in question is happy about that fact. Like "Stairway To Heaven", "Wonderwall", "Creep" and "Brass In Pocket", the highest new entry on the ARIA chart this week in 1985 was a song the performer soon came to hate.

Top 50 Singles and Albums Chart - week ending July 7, 1985

A singer who's had so many hits there's likely to be plenty she's no longer that keen on held on to the number 1 spot 30 years ago this week - Madonna stayed at the top with "Angel/Into The Groove". Meanwhile, her upcoming chart-topper, "Crazy For You", was closing in fast.

Off The Chart
Number 100 "Walk Like A Man" by Divine
Peak: number 75
Not even a cover of a 1963 chart-topper by The Four Seasons could stop this joke wearing thin. Although vocally abysmal, the production sounded like Stock Aitken Waterman (who weren't actually involved) taking on "I Feel Love".

Number 99 "Stainsby Girls" by Chris Rea
Peak: number 94
It'd be another two years before he'd better the number 13 position he reached with 1979's "Diamonds" - two years of top 50 misses like this lead single from the Shamrock Diaries album.

Number 98 "Tight Connection To My Heart (Has Anybody Seen My Love?)" by Bob Dylan
Peak: number 65
An earlier version of this song missed the cut for previous album Infidels, but reworked for Empire Burlesque, it was chosen as lead single. More commercial than much of Bob's music, its slick pop/R&B sound featured input from reggae legends Sly & Robbie.

Number 77 "S.O.S., Fire In The Sky" by Deodato
Peak: number 77
Absent from the top 100 for over a decade, Brazilian musician Eumir Deodato's latest effort fit in more with the emerging freestyle scene than his previous jazz/funk style (as heard on his 1973 number 4 hit, "Also Sprach Zarathustra (2001)").

Number 60 "I Am My Own Walkman" by Michael Winslow
Peak: number 60
He'd been one of the breakout stars of 1984's Police Academy, but this timely single release made less use of his sound effects skills than you'd think.

New Entries
Number 43 "Call Me" by Go West
Peak: number 12
Wow, Australian record companies really did rush out follow-up singles in 1985, didn't they? Seven weeks after their debut release, "We Close Our Eyes", burst into the top 50, British duo Go West struck again with their second hit, "Call Me". In a couple of weeks, both would occupy spots in the top 20 - but why the rush? 
This wasn't a situation where the debut single took ages to make its mark and, by the time it did, the follow-up was also successful. "We Close Our Eyes" had only charted in the UK in late February - and even in Go West's speedy homeland, there was an 11-week gap between that song's debut and the arrival of "Call Me". Australia clearly wanted to catch up.
It's a practice I've often noticed doing these recaps - we might have been frequently late to the party, with initial singles sometimes taking up to six months to be issued locally, but then subsequent releases came out at a rapid-fire rate, with the majority of songs climbing and dropping out of the chart much quicker than they would just a few years later.
As for "Call Me" itself, it was another catchy pop gem, featuring an expensive-looking video in which singer Peter Cox was still sporting that dirty singlet top. Side note: I've just bought tickets to see Go West, along with Nik Kershaw, Paul Young and Cutting Crew in concert in Sydney this September. The last time I saw Go West at a similar '80s event about a decade ago, they were the standout performers of the night.

Number 42 "If You Love Somebody Set Them Free" by Sting
Peak: number 18
Just over a year since The Police's last appearance on the ARIA top 50 with "King Of Pain", frontman Sting returned with the lead release from his debut solo album, The Dream Of The Blue Turtles. "If You Love..." wasn't actually his first solo single - he'd previously recorded an update of "Spread A Little Happiness" for the soundtrack to Brimstone And Treacle in 1982 - but that odd one-off aside, this was the start of Sting's solo career proper. 
Musically, "If You Love Somebody Set Them Free" continued the move away from the reggae feel of Sting's earlier albums with The Police to more of a mainstream pop/rock sound - and not surprisingly, he found a very receptive audience in Australia and the US. In the UK, however, "If You Love..." peaked at a disappointing number 26 and the singer born Gordon Sumner wouldn't register a solo top 10 hit in his homeland for almost a decade.

Number 39 "Voices Carry" by 'Til Tuesday
Peak: number 15
The "Don't Speak" of the '80s, "Voices Carry" was written by 'Til Tuesday singer Aimee Mann about the end of her relationship with the band's drummer, Michael Huasman - although originally the lyrics were directed at another female. Altered to be less controversial (for 1985), the song was released as the band's debut single and, thanks in no small part to its dramatic MTV Award-winning music video, became a top 10 smash in the US (and a slightly smaller hit here in Australia). Alas, despite such a strong start to their career, it would be 'Til Tuesday's only top 50 appearance in Australia.

Number 30 "The Goonies 'R' Good Enough" by Cyndi Lauper
Peak: number 8
Next, a singer who expressed an interest in recording "Voices Carry" (with original lyrics intact) so long as 'Til Tuesday didn't release it themselves. That didn't happen, so instead, Cyndi Lauper's next big hit was a song she soon came to despise. Originally titled "Good Enough", the single was her first new release after exhausting debut album She's So Unusual for hits and was taken from the soundtrack to classic '80s film The Goonies (thus the change to the song's name). 
A proper movie tie-in with all but one of the kid stars of The Goonies showing up in the celeb- and wrestler-packed video, "The Goonies 'R' Good Enough" gave Cyndi another Australian and US top 10 placing, but she quickly disassociated herself with the song - refusing to play it live for almost two decades and leaving it off her 1994 career retrospective, Twelve Deadly Cyns... And Then Some. After dominating the charts in 1984, this track would be Cyndi's only release in 1985 - but she'd return with one of her biggest ever singles in 1986.

Listen to this week's new entries on my Spotify playlist of all the top 50 hits from 1985:

Next week: a girl group given a helping hand up the charts by Rick James, new releases from Kids In The Kitchen, Howard Jones and Bruce Springsteen; and a surprise early chart flop for a singer who'd soon become a massive star. Before that, a look back at the biggest live music event of 1985 on its 30th anniversary.

Back to: Jun 30, 1985 <<<<<<<<<<<<<  GO  >>>>>>>>>>>>> Forward to: Jul 14, 1985


  1. I thought the Divine track was another S/A/W production until a couple of years ago.

    I didn't know 'Stainsby Girls', but it's a nice song.

    Didn't know the Deodato track either, and like it.

    I'm probably in the minority, but I prefer Go West's 90's stuff (of their tracks I know) to their 80's stuff, though it's still OK.

    I generally don't care much for Sting's solo career other than a few singles, and 'If You Love Someone...', while inoffensive enough, isn't one of them.

    I didn't actually know 'Voices Carry' until it aired on rage a few months ago. I like that 'shush' is one of the chorus lyrics. I can picture Cyndi Lauper singing it.

    I like 'Good Enough', but hate the stupid title (which is part of the reason Cyndi doesn't like it, I read recently). I never saw The Goonies movie. and didn't notice that the Bangles appear in the video for some time.

  2. The only song I know in the 'Off The Chart' section was the Chris Rea song. Thought the song was OK and could at least have pushed the Top 50. I seem to remember a woman's deodorant ad using the tune not long after viz. 'I feel in love with a Sarina girl'

    Loved 'Call Me' and its video - in fact it's still my favourite Go West track. It was great to see the video again on Countdown last summer. I didn't notice then and hadn't noticed until now how close together the release dates of the singles were.

    Don't think I knew how Sting would go solo, but I liked 'If You Love Somebody' then and like it even more now.

    Voices Carry remains a great song, and apparently Aimee Mann has had a long solo career in the US but very little has been released in Oz. I like the No Doubt comparisons, very accurate! Good to see it got to #15.

    I liked the Goonies 'R' Good Enough only because I loved the movie - I was just the right age for it. Never understood why the wrestlers were in the film clip but it was nice to see them again last summer too.

  3. Cyndi Lauper used wrestlers as she had a good association with them well before her first album came out and some were her good friends. If you look at all her early film clips, she used them, her own mother and all of her close friends. That is Cyndi's own mother holding the tray of biscuits , and Lou Albano, a wrestler, who played her father in a lot of film clips. I've just finished reading Cyndi's biography which is a very good read.


  4. As Nathan mentioned, it was the title of the song that caused Cyndi to dislike it so much for so long. She liked "Good Enough" but resented the fact that she was forced to rename it because of its inclusion in the movie, so she refused to play it for a very long time. I was at a show in the 00s when she performed it and she mentioned that she thought she hated it for a long time but then realised it wasn't the song itself but its context. She mentioned having played it a few times on her "last Australian tour" at the request of fans (in 2004) and that she realised she actually didn't hate it, so was happy to perform it again.