Wednesday, 30 April 2014

This Week In 1989: April 30, 1989

Originally posted as 25 Years Ago This Week in 2014. Updated in 2019.

Every boy band needs a bad boy member - and this week in 1989, the man who set the standard for the likes of Donnie Wahlberg, Robbie Williams and Harry Styles hit the Australian top 50 as a solo performer.

Bobby Brown: earning some of the money that kept him and Whitney off crack

The band that launched him, New Edition, were never as big in Australia as they were back home in the US - their sole top 50 hit here during the '80s was 1983's "Candy Girl" (which peaked at number 10). But, Bobby Brown soon made his presence felt in Australia, bringing with him a brand new genre: new jack swing. He'd even go on to hit number 1 here in a few years' time.

ARIA Top 50 Singles Chart - week ending April 30, 1989

At number 1 this week in 1989 (despite the fact that the date appears to have dropped off the chart), Madonna pushed Fine Young Cannibals aside... again. "Like A Prayer" hit the top for a third week, equally the tally "She Drives Me Crazy" had managed. While FYC were done with the number 1 spot, Madonna wasn't quite finished yet.

Off The Chart
Number 92 "Heartbeat Away" by BB Steal
Peak: number 68
If you think this local rock band sound a little influenced by Def Leppard it may not surprise you to discover their one and only chart appearance was produced by DL's lead guitarist Phil Collen.

Number 91 "Everlasting Love" by Howard Jones
Peak: number 91
It'd been three years since his last album, but not much had changed for the British synthpop star - he still made the US top 20, but Australia and the UK had all but abandoned him, with this lead single from Cross The Line becoming his last solo top 100 appearance.

Number 87 "Let The River Run" by Carly Simon
Peak: number 83
Also charting for a final time under her own steam (although, like Howard Jones, she'd pop up in a featured artist capacity down the track) was the winner of the 1989 Best Original Song Oscar for this Working Girl theme.

Number 82 "Keeping The Dream Alive" by Freiheit
Peak: number 79
I bought the 7" of this Beatles-ish song that was originally recorded in German as "So lang' man Träume noch leben kann" by the band known there as Münchener Freiheit.

Number 81 "Sister Madly" by Crowded House
Peak: number 66
I wonder what might have happened had this jaunty little number - the second best track from Temple Of Low Men - been released following "Better Be Home Soon". I'm guessing it would have made the top 50 at least.

"Downtown '88" by Petula Clark
Peak: number 58
I blame PWL - who had been responsible for a spate of fairly awful remixes of classic tracks like "Reach Out I'll Be There" by Four Tops and "I Want You Back" by The Jackson 5 in the first half of 1988. A generic late-'80s beat was whacked on the original recording and that was that. A similar trick was used to reinvigorate this Grammy Award-winning tune by the British songbird, which had first been released in 1964. Remix duties were handled by Dutch producer Peter Slaghuis (aka Hithouse, who'd been responsible for "Jack To The Sound Of The Underground") and, despite being fairly hideous, the song returned to the UK top 10 for the first time in 24 years.

New Entries
Number 44 "My Prerogative" by Bobby Brown
Peak: number 40
Controversially expelled from New Edition in 1986, Bobby Brown was always going to be a star. At this point in 1989, he'd just turned 20 and was the first member of the boy band to enjoy solo success (something the other five members would also go on to achieve in the subsequent couple of years - albeit three of them together as Bell Biv Devoe).
Still, it took until his second album, Don't Be Cruel, for Bobby to live up to the ambitious title of his debut offering, King Of Stage. "My Prerogative" was the second of five singles lifted from Don't Be Cruel, and as well as becoming his debut Australian top 40 hit, the track topped the Billboard Hot 100 - his only song to do so (although he also featured on Glenn Medeiros' US chart-topper, "She Ain't Worth It", in 1990).
The song finally became a top 10 hit in Australia 15 years later when equally troubled star Britney Spears covered the track for her first best of collection - although nothing beats the original version by Bobby. One of the earliest new jack swing hits, it was produced by Guy's Teddy Riley - the man credited with creating the burgeoning genre, which blended R&B and hip-hop. A huge force in American music, Teddy is best known in Australia thanks to "No Diggity", his mega-hit as part of Blackstreet.

Number 39 "Cry In Shame" by Johnny Diesel & The Injectors
Peak: number 10
The last time we saw these guys, they were hitting the top 50 with their latest single in the same week as 1927 - and it happened again 25 years ago this week. Johnny and band returned with their first rock ballad, "Cry In Shame", and made it three top 10 hits on the trot. The two bands were also competing on the albums chart, with both ...ish and Johnny Diesel & The Injectors firmly ensconced in the top 10, having each peaked at number 3 in previous weeks. We'll pick this back up in a moment...

Number 35 "How'm I Gonna Sleep" by Tim Finn
Peak: number 27
His solo career had got off to a great start, with 1983's Escapade album and cheery hits "Fraction Too Much Friction" and "Made My Day", but six years and two albums later, the former Split Enz star only just crept into the top 30 with this dreary lead single from his self-titled LP. His next move? Joining his younger brother's internationally successful band, Crowded House, for one album. Ouch.

Number 34 "Compulsory Hero" by 1927
Peak: number 14
Right, back to the chart rivalry between the two Aussie bands with pretty boy singers. 1927's latest single was also a ballad, but of course, it wasn't their first slow song to hit the top 50. And although it debuted higher, "Compulsory Hero" (which is about conscription) would end up being overtaken by "Cry In Shame" on the singles chart. On the albums chart, however, 1927 would have the last laugh. This week, ...ish leapt over Johnny Diesel & The Injectors after having spent four weeks stuck one place below. Then, in May, 1927 would settle into the top spot for three weeks. As for Johnny, he'd have to made do with a peak of number 2... behind 1927.

Number 32 "I Only Wanna Be With You" by Samantha Fox
Peak: number 19
Now, this is how to breathe life into a classic track from the '60s - and it's actually produced by PWL's Stock Aitken Waterman, rather than the B-list team they let loose on those other remixes I mentioned earlier. Originally released (as "I Only Want To Be With You") by Dusty Springfield in 1963, the perky pop ditty had last hit the Australian chart in 1980 in a rockier version by Eurythmics precursors The Tourists.
For former topless pin-up girl Sam Fox, it was actually the first time she'd released a cover version. In the cover-happy '80s, she should have been a prime candidate for remakes given she didn't write her own songs - but all of her 10 previous singles had been originals. But, many of those singles hadn't charted very well and "I Only Wanna Be With You" became her first Australian top 50 since 1987's "Nothing's Gonna Stop Me Now". It would also be her final top 50 appearance locally.

Listen to this week's new entries on my Spotify playlist of all the top 50 hits from 1989:

Next week: speaking of Stock Aitken Waterman, we'll see the arrival of the song they wrote and produced which in some ways was the beginning of the end for the production team. Before then, I'm hoping to have my 2003 countdown ready to roll.

Back to: Apr 23, 1989 <<<<<<<<<<<<<  GO  >>>>>>>>>>>>> Forward to: May 7, 1989

Wednesday, 23 April 2014

This Week In 1989: April 23, 1989

Originally posted as 25 Years Ago This Week in 2014. Updated in 2019.

When I was counting down my favourite songs from 1999, I recalled a chart battle in the UK between two Spice Girls with solo singles out the same week. A decade before that, a much less hyped stoush took place between two former members of an Australian pop/rock band.

Models: two vocalists, one future TV presenter, a Limahl lookalike and another guy

For one of the vocalists from the group, a top 50 solo hit ended up being just out of reach, while the other managed to crack the top 20 - for the second time in his career. That's what I call a decisive victory.

ARIA Top 50 Singles Chart - week ending April 23, 1989

Speaking of chart battles, "Like A Prayer" and "She Drives Me Crazy" swapped places at number 1 again this week in 1989 - with the Fine Young Cannibals track spending its third and final week on top of the singles chart.

Off The Chart
Number 96 "The Harder I Try" by Brother Beyond
Peak: number 78
Producers Stock Aitken Waterman were so hot at this point that when they put up their services at a charity auction, EMI paid 20 thousand pounds for the Hit Factory to live up to their name. Unfortunately this UK top 3 hit for the previously struggling pop group didn't connect in Australia.

Number 95 "Come Out To Play" by UB40
Peak: number 95
"Where Did I Go Wrong" had given the reggae band their biggest hit in years (and best performing original track of all time), but this follow-up barely made a dent on the chart.

Number 86 "Love House" by Samantha Fox
Peak: number 86
It had been released back in January as the lead single from I Wanna Have Some Fun, and the acid-tinged "Love House" finally cracked the top 100 one week ahead of second single "I Only Wanna Be With You".

"...Thankyou, Goodnight" by Sean Kelly
Peak: number 55
Here's the first of our two ex-members of Australian band Models. One of the group's two lead singers, Sean Kelly only released this one solo single before super-group Absent Friends took off (and included it on that band's album). Sharing its title with the last tour conducted by Models (and with a book written by the wife of his former band-mate), "...Thankyou Goodnight" is a fairly understated affair, which may explain its disappointing chart position.

New Entries
Number 50 "Straight Up" by Paula Abdul
Peak: number 27
Although this was her first major hit (she'd released two previous singles with limited success), former Laker Girl and in-demand choreographer Paula Abdul's influence on pop music had been felt for some time - at least visually. Responsible for the choreography in many of Janet Jackson's music videos from the Control album, Paula was signed as a recording artist in her own right, despite the fact that her voice was even weaker than Janet's. Where Paula shone was in her music videos, and the David Fincher-directed "Straight Up" clip allowed her to showcase her sought-after moves. She also had some of the best songwriters and producers in the business in her corner, and this single became the first of six US number 1s. She'd have to wait a bit longer to top the Australian chart, however.

Number 47 "Hurricane" by James Freud
Peak: number 20
Our second ex-Model had much more success with his first solo offering following the demise of the group that'd hit the Australian number 1 spot with 1985's "Out Of Mind, Out Of Sight". But. "Hurricane" wasn't James's first chart hit under his own name - he'd previously reached number 12 in 1980 with "Modern Girl". That song was actually credited to James Freud And The Radio Stars, a name similar to another previous band both James and Sean Kelly had been members of: Teenage Radio Stars. In fact, the pair had been in a number of bands together dating right back to their high school days. Although "Hurricane" cracked the top 20, the accompanying album, Step Into The Heat, was a monumental flop - spending five weeks on the chart and only reaching number 26 despite reportedly being Mushroom Record's most expensive album to date.

Number 41 "Wind Beneath My Wings" by Bette Midler
Peak: number 1
Interestingly, "Wind Beneath My Wings" wasn't chosen as the lead single from the soundtrack to Beaches, the hit 1989 tearjerker starring Bette Midler and Barbara Hershey. Instead, Bette's cover of "Under The Boardwalk" was released in the US first (and would end up being a chart hit in Australia later in 1989), but it was "Wind Beneath My Wings" that proved to be the standout track from the film and its soundtrack.
The song itself had narrowly missed the Australian top 50 when released by Colleen Hewett back in 1983 - one of many versions of the songs recorded before Bette got her hands on it and turned it into a chart-topping, multi-Grammy Award-winning record. For Bette, who'd mostly concentrated on movies like Down And Out In Beverly Hills and Ruthless People for the previous few years, it was her first chart hit since 1984's "Beast Of Burden" (which reached number 12 in Australia) and the first number 1 single of her career - either here or in the US.

Number 39 "Young Years" by Dragon
Peak: number 18
The last time we'd seen Dragon in the top 50 was with their timely cover of Kool & The Gang's "Celebration" back on the first chart for 1988, but they returned with this first single proper from the Bondi Road album. "Young Years" actually followed flop single "River", which missed the top 50 and wasn't even included on Bondi Road. Like many of Dragon's singles from the mid to late '80s, "Young Years" was better than its chart position suggests. Like "Cry", "Dreams Of Ordinary Men" and "Speak No Evil", it was a top 20 hit that should have been bigger - and would end up being the band's final ARIA top 50 appearance.

Number 38 "Fire Woman" by The Cult
Peak: number 24
Although they'd made their breakthrough in the UK with 1985's "She Sells Sanctuary", it took Australia a few more years to catch on to goth rockers The Cult - and even I didn't mind this lead single from Sonic Temple (although I've always thought it could have benefitted from a dance remix). At the time, I remember the song being quite alternative, although listening to it again now, it's a pretty straightforward rock track - and the chorus, which is what sucked me in at the time, is every bit as rousing.

Listen to this week's new entries on my Spotify playlist of all the top 50 hits from 1989:

Next week: two songs that first found success in the '60s and the arrival of the crown prince of new jack swing.

Back to: Apr 16, 1989 <<<<<<<<<<<<<  GO  >>>>>>>>>>>>> Forward to: Apr 30, 1989

Wednesday, 16 April 2014

This Week In 1989: April 16, 1989

Originally posted as 25 Years Ago This Week in 2014. Updated in 2019.

I wonder if ARIA actually received complaints about the top 50 chart being completely red every single week following Coca-Cola's sponsorship deal a few weeks earlier. I'm not sure what prompted it, but this week in 1989, a splash of colour was added back onto the chart with the ARIA logo changing each week thereafter (until the next redesign). Granted, the colours weren't as varied as they used to be, but at least it was something.

Tone Lōc's record won the "Wild Thing" chart battle in 1989

Why did it matter? Well, if nothing else, the colour variation made it easier to tell if the chart on the record store counter was a new one or still last week's. Nothing was more annoying (OK, that might be a slight over-exaggeration) than finding the previous week's chart still on display - and having to ask the oh-so-helpful sales assistants to dig out a new one.

ARIA Top 50 Singles Chart - week ending April 16, 1989

There was good reason to keep on top of the charts at this point since the battle for number 1 had never been so intense (and I can't think of it ever being so since). After two weeks waiting in the runners-up position, Madonna's "Like A Prayer" stormed back to number 1 for a second week, swapping places with Fine Young Cannibals' "She Drives Me Crazy". It was only the start of an exciting few months at the top of the singles chart.

Off The Chart
Number 96 "Building Bridges" by The Seekers
Peak: number 68
Recorded with replacement singer Julie Anthony (who'd performed with the veteran group at the Brisbane Expo in 1988), this new song appeared among a bunch of re-recorded oldies on the Live On album.  

Number 89 "Mayor Of Simpleton" by XTC
Peak: number 89
The lead single from double album Oranges & Lemons, this became the British band's first and only US top 100 hit, but failed to deliver another top 50 hit for them here in Australia.

Number 87 "Round And Round" by New Order
Peak: number 67
Their first single to miss the top 50 since 1986's "State Of The Nation", this follow-up to top 20 hit "Fine Time" is one of my favourites from the band, who wanted to release "Vanishing Point" instead.

Number 72 "Wrap Your Arms Around Me" by Separate Tables
Peak: number 71
By the end of the year, they'd change their name to Girl Overboard and suddenly find themselves inside the top 50 after three singles - this was the third - as Separate Tables that missed the mark.

Single Of The Week
"Real Love" by Jody Watley
Peak: number 78
Of the five singles released from her debut self-titled album, only one, 1987's "Looking For A New Love", had been a hit in Australia - and unfortunately for the former Shalamar singer, that didn't change now she was onto her second album. Despite peaking at number 2 in the US, "Real Love" didn't come anywhere near the ARIA top 50, which was pretty typical for female R&B songs that weren't by Janet Jackson. Besides Jody, artists like Karyn White, Pebbles and even Sheena Easton (who at this point of her career was working with all the same hot producers) didn't find a wide audience in Australia.

"Cult Of Personality" by Living Colour
Peak: number 54
Run DMC's cover of "Walk This Way" had shown what could happen when rock and hip-hop joined forces - and it was those two genres (plus a few more besides) that Living Colour blended on their debut album, Vivid. The Grammy-winning single "Cult Of Personality" may not have made much of an impression on the Australian chart, but I recall the band receiving a lot of buzz locally and a fair bit of music video play for the track. The band's time would come on the singles chart - but not for a couple of years.

New Entries
Number 47 "Halleluiah Man" by Love & Money
Peak: number 47
I've always liked this song, even though it wasn't very successful for the Scottish band either here (where it spent a single week in the top 50) or in the UK. I associate it with a genre I think of as "white soul" music, named after a compilation of the same name released locally featuring acts like Wet Wet Wet, Level 42, Curiosity Killed The Cat, Kane Gang and, bizarrely, Pepsi & Shirlie. Whether or not that's an appropriate tag for the sound, there certainly was a lot of that slickly produced, vaguely soul-influenced pop coming out of the UK, with bands like Johnny Hates Jazz, Breathe and Climie Fisher a few more examples. I was a big fan of all those artists, so Love & Money fit right in to my musical taste - but it was only the odd exception that became a big hit in Australia.

Number 45 "Dirty Blvd." by Lou Reed
Peak: number 45
Another song to only spend a single week in the top 50 and another entry for which ARIA got the title wrong, "Dirty Blvd." was the lead single from Lou's New York album, one of the best received of his 14 studio sets. The track itself features Lou's unmistakably monotonous vocal delivery and became the highest-charting single of his career. Amazingly, classic single "Walk On The Wild Side" only spent a single week at number 100 back in 1973.

Number 40 "Wild Thing" by Tone Lōc
Peak: number 15
Last week, Sam Kinison debuted with his cover of rock classic "Wild Thing", and this week in 1989, rapper Tone Lōc (real name: Anthony Smith) entered the top 50 with his soon-to-be hip-hop classic of the same name, which sampled "Jamie's Cryin'" by rock legends Van Halen. "Wild Thing" was a two-million-selling smash in the States, while in Australia, his follow-up track would end up being the bigger of his two hit singles. Still, Tone's "Wild Thing" did perform better here than the other identically titled track, so that's something.

Listen to this week's new entries on my Spotify playlist of all the top 50 hits from 1989:

Next week: a future reality show judge makes her debut, as does one of the year's biggest singles (from one of 1989's most popular movies). Plus, we'll look at what two former members of a classic Australian band did next.

Back to: Apr 9, 1989 <<<<<<<<<<<<<  GO  >>>>>>>>>>>>> Forward to: Apr 23, 1989

Monday, 14 April 2014

The Best Of 2002 - part 4

JUMP TO: 100-76 II 75-51 II 50-26 II 25-1

In case you hadn't already noticed, by 2002, reality TV talent quests were taking over the world. In Australia, after leading the initial charge with the Popstars series, we were falling behind the times while, in the UK, Popstars successfully morphed into Popstars: The Rivals and two groups were formed, and the phenomenon of Pop Idol was launched.

Gareth Gates proved you didn't have to win a reality show to become a star

Working at Smash Hits, we saw the power a reality TV star like Gareth Gates had to sell magazines in the UK. Every issue of our sister publication (which still came out each fortnight compared to our monthly edition) either had Gareth as main cover star or his spiky-haired head as an inset photo strategically placed on the top right corner of the cover.

Not since girl groups and boy bands had there been such hope for teen press to shift magazines - and we couldn't wait for Idol to come to Australia. Until then, I made do with these pop hits from 2002...

Number 25 "Stronger / Angels With Dirty Faces" by Sugababes
Narrowly missing out on a spot in my top 10 Sugababes songs of all time, this double-A side was the third single by version 2.0 of the girl group. Destined for the pop dumper after the departure of founding member Siobhan Donaghy and the termination of their record contract, Sugababes went through the first of their many revamps, drafting in Heidi Range as third member and teaming up with Richard X for mash-up cover version "Freak Like Me" (number 14 on this list). A second UK number 1, "Round Round" (number 7), followed and by the time "Stronger/Angels..." was released and also made the UK top 10, it was clear Sugababes were going to take some getting rid of.

Number 24 "Butterfly" by Kylie Minogue
Passed over for "Please Stay" as the fourth single from Light Years, "Butterfly" ended up being released as a promotional single in the US (which is enough for me to include it here). In truth, the majority of tracks from Light Years (except "Bittersweet Goodbye") could've been singles, but, after the relatively disappointing performance of "Please Stay", attention quickly turned to the Fever album and the release of "Can't Get You Out Of My Head" in late 2001. In 2002, three more singles were lifted from Fever, "In Your Eyes" (number 63 on this list), "Love At First Sight" (my number 1 for the year) and the Grammy-winning "Come Into My World" (number 70).

Number 23 "Alive" by S Club
Just as "Bop Bop Baby" (which we saw back in Part 1) had been a UK chart disappointment for Westlife in 2002, so too was "Alive" a relative failure for S Club (who'd dropped the 7 following the departure of Paul Cattermole). I say "relative" since the song did reach number 5 in Britain, but given it was the lead single from a new album and they'd never charted lower than number 3, it was a definite comedown. More tellingly, the album from which it was taken, Seeing Double, which also served as the soundtrack to the group's feature film, only managed a lowly number 17 after three straight top 3 placings with their previous albums. Looked like the writing was on the wall for S Club, although, as we'll see, there was a backup plan...

Number 22 "Addicted To You" by Laura
Here's the second of those Eurovision entries to make my top 100 for 2002, and this time it's the Finnish entry by Laura Voutilainen, which actually placed lower than the song by Manuel Ortega, who we saw back in Part 2. So, if the two songs I liked did so poorly that year, what won Eurovision? It was Latvian entry "I Wanna" by Marie N - a song I had successfully blocked from my memory... until now.

Number 21 "Dilemma" by Nelly featuring Kelly Rowland
It wasn't just Beyoncé who branched out from Destiny's Child in 2002, with band-mate Kelly Rowland also enjoying extra-curricular success and, in fact, landing the first number 1 single outside of the girl group. Granted, that success was only as featured vocalist, but "Dilemma" was definitely a case of the whole being greater than the sum of its parts - even those who award Grammys agreed, with the song winning the Best Rap/Sung category.
For Kelly, it was the start of a solo career that's been unpredictable to say the least, while Nelly was on a hot streak, with "Dilemma" coming soon after "Hot In Herre" (number 67 on this list), the two tracks turning him from just another rapper into a bona fide star. Of course, the fact Nelly and Kelly were rumoured to be dating didn't hurt at all - although it seems that was never actually the case.

Number 20 "Emerge" by Fischerspooner
Thanks to the power of the internet to spread the word, new genres proliferated in the new century and every musical subculture had a chance to flourish. Electroclash was one of those new sounds - and the duo comprised of Warren Fischer and Casey Spooner was one of its key exponents. Debut single "Emerge" took a couple of releases to stick, but it heralded the arrival of an important new act in electronic music.

Number 19 "One Step Closer" by S Club Juniors
Meanwhile, nothing heralds the demise of a music act more than the arrival of a newer, younger version - with S Club Juniors' debut indicating that S Club 7's record label knew the clock was ticking on their former cash cow. Originally formed to support S Club 7 on tour, the eight-piece mini-me version proved so popular they were given their own record deal. Not bad for a bunch of kids with an average age of 12 years old. 
Despite their exceedingly young age, it was hard to resist the charms of "One Step Closer", written by no less a team than Cathy Dennis, and ex-Dead Or Alive members Tim Lever and Mike Percy. The song became the first of a hat trick of number 2 hits in the UK, and would be covered two years later by American Juniors, a group formed by American Idol spin-off American Juniors.

Number 18 "One Love" by Blue
While their pop group contemporaries (Steps, S Club, Hear'say) were falling apart around them, boy band Blue went from strength to strength in 2002 with the release of One Love, which became their second chart-topping album in the UK, and more hit singles in the shape of this title track, All Rise's "Fly By II" (number 50 on this list) and a duet with Elton John on a remake of "Sorry Seems To Be The Hardest Word" (number 55).

Number 17 "Crush (1980 Me)" by Darren Hayes
Given he'd sold millions of records as part of Savage Garden with ballads, it made perfect sense for Darren Hayes to start his solo career with a song like "Insatiable", which gave him another Australian and UK hit (although it failed to connect in America, effectively spelling the end of his career there).
But, just as I was always more interested in Savage Garden's upbeat tracks, so too did I much prefer tracks like this ode to the '80s and "Strange Relationship" (number 45 on this list) from Darren's debut solo album, Spin. Ever the good sport, Darren talked through each one of this track's '80s references in an interview I did with him for Smash Hits - a useful service given plenty of our readers weren't born until 1990.

Number 16 "Caught In The Middle" by a1
The final stage in a1's transition from cheesy, smiley boy band to serious, instrument-playing, songwriting pop act was achieved with this lead single from third album Make It Good. And then, just as it looked like they might have some chance at longevity, the album's title track bombed, Paul Marazzi quit the group and the other three members decided to call it a day. The story wasn't quite over, with the remaining trio of Ben Adams, Mark Read and Christian Ingebrigtsen reforming in 2009, and appearing in this year's season of UK reality show The Big Reunion.

Number 15 "I'm Not A Girl, Not Yet A Woman" by Britney Spears
Mentioned below

Number 14 "Freak Like Me" by Sugababes
Mentioned above and previously featured here

Number 13 "Got To Have Your Love" by Liberty X
Mentioned below

Number 12 "Here To Stay" by New Order
With its song title that could only have pleased New Order's legion of fans (who'd previously waited from 1993 to 2001 for a new studio album), "Here To Stay" was taken from the soundtrack to 24 Hour Party People, the biopic about the band's label, Factory Records. A stand-alone single (which also appeared on a couple of New Order's many compilation albums), the track was co-produced by the band and The Chemical Brothers. As it turned out, however, it would be a three-year wait until any further new music.

Number 11 "Dove (I'll Be Loving You)" by Moony
Some Italian house now - and this was the debut single by the vocalist born Monica Bragato, who'd previously recorded with Spiller and also appeared on DB Boulevard's "Point Of View" (number 33 on this list) in 2002. The DB Boulevard track was notable not just for its cute animated clip but also for sampling "Heatwave" by Phoenix and "Drowned World/Substitute For Love" by Madonna. Unfortunately, neither Moony nor DB Boulevard would be heard from again outside Italy.

Number 10 "Moi... Lolita" by Alizée
Next, it's off to nearby France for the debut single by 15-year-old Alizée Jacotey. Well, that's how old she was when "Moi... Lolita" was originally released in France in 2000. It took a couple of years for it to cross over to the UK (where it reached number 9) and come to my attention. One of the only songs in a foreign language to chart well for me, it was co-written and co-produced by French music legend Mylène Farmer, who'd made a star out of Alizée after she appeared on a French TV talent show. The song was her only hit across the English Channel, but Alizée has continued to remain in the public eye at home, recently appearing on the French version of Dancing With The Stars.

Number 9 "Everything" by M2M
We saw this Norwegian duo back on my top 100 for 1999 with their debut single, "Don't Say You Love Me", and in 2002, Marit Larsen and Marion Raven returned with their second album, The Big Room, which featured this lead single and follow-up "What You Do About Me" (number 68 on this list). The girls visited Australia on a promo trip at the time and I recall taking them shopping at Sydney's Pitt Street Mall for a Smash Hits photo story. Priceline was a big hit with them.

Number 8 "Cherry Lips (Go Baby Go!)" by Garbage
The band's biggest (and only top 10) hit here in Australia, "Cherry Lips" is as pop as Garbage ever got - unsurprisingly, it's my favourite song of theirs, although I was also a fan of all the singles from Beautiful Garbage, with follow-up "Breaking Up The Girl" just missing this top 100.

Number 7 "Round Round" by Sugababes
Mentioned above and previously featured here

Number 6 "Anyone Of Us (Stupid Mistake)" by Gareth Gates
The Pop Idol runner-up's debut single had been a cover of Simon Cowell's favourite song to inflict on the public: the dreary "Unchained Melody", but for his second release, Gareth received the Cheiron treatment. Well, the handiwork of former Cheiron songwriters and producers Jorgen Elofsson, Per Magnusson and David Kreuger, who'd been behind massive hits for Britney Spears, Westlife and many more pop acts. The Scandipop style suited Gareth and the song was an instant UK number 1. While it was my favourite single by either Gareth or Will at that stage, the tables would turn in a major way in 2003.

Number 5 "Brand New Day" by GT
Of the many records released by Simon Lewicki either under his Groove Terminator alias (shortened to GT at this stage) or as part of groups like Chili Hi Fly, this is the only song to make any impact on me - but what an impact it did make, becoming my favourite locally produced track for the year.

Number 4 "Anticipating" by Britney Spears
The singles from Britney kept coming in 2002, but many of them I wasn't that keen on - like the remake of "I Love Rock 'n' Roll" and "Boys". I did like this cutesy pop track, which was only released as a single in France, and "I'm Not A Girl, Not Yet A Woman" (number 15 on this list), which was co-written by Dido and appeared in Britney's feature film debut, Crossroads, in a particularly memorable scene where Britney's character learns the song in five seconds.

Number 3 "Just A Little" by Liberty X
In 2001, the British edition of Popstars created Hear'say, while the other five members of the show's final 10 banded together as Liberty. Two so-so singles and a band name dispute later, Liberty X emerged as a more cohesive unit and, by the end of 2002, had outlived Hear'say altogether. Key to their longevity was this third single, which became a UK chart-topper and went on to win the BRIT Award for Best Single. They followed "Just A Little" with a cool cover of "Got To Have You Love" (number 13 on this list) - which had originally been recorded by Mantronix and appears on my top 100 for 1990 - and for the time being were one of the UK's biggest pop acts.

Number 2 "Love Foolosophy" by Jamiroquai
All the stick Jay Kay gets kind of makes sense, what with music videos like this that show off the extensive grounds of his estate and boast of his theoretical pulling power (Heidi Klum plays his love interest). None of that bothered me and "Love Foolosophy" became my favourite single by his band - surpassing "Canned Heat" and "Little L" despite not being as big a hit on the international charts as either of those songs. Granted, it was the third single from A Funk Odyssey (the fourth, "Corner Of The Earth", is number 42 on this list), but it did feel like interest in Jamiroquai was starting to wane around this point.

Number 1 "Love At First Sight" by Kylie Minogue
Mentioned above and previously featured here

My top 200 for 2002 in full:

1        LOVE AT FIRST SIGHT Kylie Minogue
2        LOVE FOOLOSOPHY Jamiroquai
4        ANTICIPATING Britney Spears
6        ANYONE OF US (STUPID MISTAKE) Gareth Gates
7        ROUND ROUND Sugababes
8        CHERRY LIPS (GO BABY GO!) Garbage
10      MOI… LOLITA Alizee
11      DOVE (I’LL BE LOVING YOU) Moony
12      HERE TO STAY New Order
13      GOT TO HAVE YOUR LOVE Liberty X
14      FREAK LIKE ME Sugababes
15      I’M NOT A GIRL, NOT YET A WOMAN Britney Spears
17      CRUSH (1980 ME) Darren Hayes
18      ONE LOVE Blue
19      ONE STEP CLOSER S Club Juniors
20      EMERGE Fischerspooner
21      DILEMMA Nelly featuring Kelly Rowland
22      ADDICTED TO YOU Laura
24      BUTTERFLY (REMIXES) Kylie Minogue
26      LOVE WILL FIND A WAY Bardot
27      FANTASY Appleton
28      MY VISION Jakatta featuring Seal
29      SHAKE UR BODY Shy FX and T Power featuring Di
30      DIE ANOTHER DAY Madonna
31      AT NIGHT Shakedown
32      BABY DON’T DANCE Steps
33      POINT OF VIEW DB Boulevard
35      HUNGRY Kosheen
36      DJ / ALMIGHTY MIX H & Claire
37      STAY paulmac featuring Jacqui Hunt
38      SMILE TO SHINE Baz
39      A THOUSAND MILES Vanessa Carlton
41      YOU S Club 7
42      CORNER OF THE EARTH Jamiroquai
43      HALF A HEART H & Claire
44      THE LAST GOODBYE / BE WITH YOU Atomic Kitten
46      KISS KISS Holly Valance
47      ALL EYEZ ON ME Monica
48      COLOURBLIND Darius
49      GIRLFRIEND *NSYNC featuring Nelly
50      FLY BY II Blue
51      IT JUST WON’T DO Tim Deluxe featuring Sam Obernick
52      LEAP OF FAITH David Charvet
53      BOHEMIAN LIKE YOU The Dandy Warhols
54      EVERYWHERE Michelle Branch
55      SORRY SEEMS TO BE THE HARDEST WORD Blue featuring Elton John
56      ALL MY LIFE Foo Fighters
57      NEVER KNEW LOVE Stella Browne
59      DON’T LET ME DOWN / YOU AND I Will Young
60      BEAUTIFUL Christina Aguilera
62      JUST THE WAY YOU ARE Milky
63      IN YOUR EYES Kylie Minogue
64      SEXUAL GUARANTEE Alcazar
65      FEEL LIKE I DO Sneak
66      WHAT’S YOUR FLAVA? Craig David
67      HOT IN HERRE Nelly featuring Dani Stevenson
69      MORE THAN A WOMAN Aaliyah
70      COME INTO MY WORLD Kylie Minogue
71      OTHERWISE Morcheeba
72      GONNA MISS YOU paulmac featuring Abby Dobson
73      SAY A WORD Manuel Ortega
75      NASTY GIRL Destiny’s Child
76      HEAVEN DJ Sammy & Yanou featuring Do
77      SHOULDA WOULDA COULDA Beverley Knight
78      LIGHT MY FIRE Will Young
79      NO MORE DRAMA / TWIN REMIX Mary J Blige
80      WHEN I LOST YOU Sarah Whatmore
81      BIMBO (I NEED TO KNOW) Lambretta
82      FULL MOON Brandy
83      ENVY Ash
85      DON’T PANIC Logo featuring Dawn Joseph
86      DON’T SAY GOODBYE Paulina Rubio
88      LIKE I LOVE YOU Justin Timberlake
89      DANCE WITH ME 112
90      HIT THE FREEWAY Toni Braxton
91      SUGAH Ruby Amanfu
92      NU FLOW Big Brovaz
93      WHEN YOU LOOK AT ME Christina Milian
94      MUSIC GETS THE BEST OF ME Sophie Ellis-Bextor
95      OH BABY Rhianna
96      I CAN’T WAIT Ladies First
97      BOP BOP BABY / ALMIGHTY MIX Westlife
98      SYMPHONY OF LIFE Tina Arena
99      HELLA GOOD No Doubt
100    (TAKE ME AWAY) INTO THE NIGHT 4 Strings
101    ONE DAY IN YOUR LIFE Anastacia
102    NO MORE TEARS Modjo
103    ALL YOU WANTED Michelle Branch
104    KIDS Kelli Ali
107    I WOULD DIE 4 U The Space Cowboy
109    DIRRTY Christina Aguilera featuring Redman
110    ONE STEP TOO FAR Faithless featuring Dido
111    RUN Lighthouse Family
112    IT’S OK Atomic Kitten
113    HOME & DRY Pet Shop Boys
114    HARDER Kosheen
115    GIRLFRIEND Alicia Keys
116    JUST A LITTLE GIRL Amy Studt
117    ADDICTED TO BASS Puretone
118    FROM HERE TO ETERNITY Natalie Browne
121    I DON’T WANNA LOSE MY WAY Dreamcatcher
122    FEEL Robbie Williams
123    2’S COMPANY Charlton Hill
124    FASCINATED Raven Maize
125    NEW DIRECTION S Club Juniors
128    MY CULTURE 1 Giant Leap featuring Maxi Jazz & Robbie Williams
129    B WITH ME Mis-teeq
130    WHAT ABOUT US? Brandy
131    GANGSTA LOVIN’ Eve featuring Alicia Keys
132    WISH I DIDN’T MISS YOU (REMIX) Angie Stone
133    I’M RIGHT HERE Samantha Mumba
134    I DO!! Toya
135    HAPPY Ashanti
136    AUTOMATIC HIGH S Club Juniors
137    GIVE IN TO ME Rogue Traders
138    STEREO FLAVAS Hi Fi Mike
141    ACTION Saint Etienne
142    BRAND NEW DAY / DO THE THINGS Wicked Beat Sound System
143    ALL I WANT IS YOU Rockmelons featuring Jeremy
144    TOLD YOU SO Freestylers
147    DON’T YOU WANT ME Alcazar
149    RECKLESS GIRL The Beginerz
151    BELIEVERS Baz
152    HAPPY Lighthouse Family
153    IN THIS WORLD Moby
154    GET OVER YOU / MOVE THIS MOUNTAIN Sophie Ellis-Bextor
155    HOW COME YOU DON’T CALL ME Alicia Keys
156    I AIN’T PLAYIN’ Rockmelons featuring Roxanne
157    STAR GUITAR Chemical Brothers
158    I WANT TO Wicked Beat Sound System
159    U-TURN Usher
160    I’M GONNA BE ALRIGHT Jennifer Lopez featuring Nas
161    STILL WAITING Sum 41
162    BE COOL Paffendorf
163    HEY BABY No Doubt
165    PUT THE NEEDLE ON IT Dannii Minogue
166    ROLL ON / THIS IS HOW WE DO IT Mis-teeq
168    PRAY Lasgo
169    SHUT YOUR MOUTH Garbage
170    LUV DA SUNSHINE Intenso Project
171    I NEED A GIRL P.Diddy featuring Usher & Loon
172    DON’T MESS WITH MY MAN Nivea featuring Brian & Brandon Casey
173    U DON’T HAVE TO CALL Usher
174    THE GAME OF LOVE Santana featuring Michelle Branch
175    STOLE Kelly Rowland
177    GOLD Beverley Knight
178    DRIFTING AWAY Lange featuring Skye
179    ALWAYS ON TIME Ja Rule featuring Ashanti
180    JAMES DEAN (I WANNA KNOW) Daniel Bedingfield
182    LOVIN’ IS EASY Hear’say
183    SHINY DISCO BALLS Who Da Funk featuring Jessica Eve
185    WAY BEYOND Morcheeba
186    IT TAKES MORE Ms Dynamite
187    SO LONELY Jakatta
188    NAUGHTY GIRL Holly Valance
189    EXTREME WAYS Moby
190    TO GET DOWN Timo Maas
191    4 MY PEOPLE Missy Elliott
192    GET ME OFF Basement Jaxx
193    ENVIOUS Dawn Robinson
194    ONE OF THOSE DAYS Whitney Houston
195    MY EVERYTHING 98 Degrees
196    DY-NA-MI-TEE Ms Dynamite
197    GOODNIGHT LOVERS Depeche Mode
198    SUGAR RUSH A*Teens
200    FOOLISH Ashanti

Next up: 2003, of course. ETA: later this month. Before that, we go back to 1989 as usual on Wednesday for my regular ARIA chart recap from 25 years ago.


1979 II 1980 II 1981 II 1982 II 1983 II 1984 II 1985 II 1986 II 1987 II 1988 II 1989
1990 II 1991 II 1992 II 1993 II 1994 II 1995 II 1996 II 1997 II 1998 II 1999
2000 II 2001 II 2002 II 2003 II 2004 II 2005 II 2006 II 2007 II 2008 II 2009
2010 II 2011 II 2012 II 2013 II 2014 II 2015 II 2016 II 2017 II 2018 II 2019