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  • Gavin Scott

This Week In 1986: July 13, 1986

All these years later, it's easy to forget just how successful some '80s bands were. There's a tendency to dwell on the couple of massive hits and forget that, sometimes, there were lots of medium-sized hits as well.

Eurythmics were an unstoppable chart force in the mid-'80s

That's certainly the case with the band behind one of the new entries on the ARIA singles chart this week in 1986. British duo Eurythmics had an incredibly consistent run on the top 50 throughout the decade, notching up 15 top 20 singles. But how many have you forgotten about?

A singer with more hits than she's often given credit for took over at number 1 this week in 1986. "Touch Me (I Want Your Body)" by Samantha Fox dethroned "Addicted To Love" for the first of three non-consecutive weeks at the top.

Off The Chart

Number 99 "Radio Africa" by Latin Quarter

Peak: number 93

Originally released in 1985, this pop/reggae track from politically motivated English band Latin Quarter summed up the sorry state of affairs in Africa at the time

Number 98 "(You Can't Tamper With) The Temple Of The Lord" by The Saints

Peak: number 85

After the unprecedented top 30 hit that was "Just Like Fire Would", The Saints returned to the fringes of popular music with this second single from All Fools Day

Number 93 "Fever" by Annabella

Peak: number 67

Kicked out of Bow Wow Wow as the new wave band self-destructed, Annabella Lwin embarked on a solo career with a cover of the Little Willie John standard.


"One Touch" by The Radiators

Peak: number 58

We saw their highest charting single, "No Tragedy", on my recap of the first ever ARIA chart but The Radiators seemed to have run out of steam by 1986. I'm a little confused about what was going on with the band's record deals at this point in time. Their two previous albums had been released by EMI and their upcoming 1987 album, Nasty Habits In Nice Children, was their first (and only) through their new deal with Mercury (a Polygram label). So far, so straightforward. Here's the complicating factor - even though it was included on Nasty Habits..., "One Touch" came out through RCA (which at this point in time was distributed by Warner Bros). Whatever the reason for The Radiators bouncing around record companies, it didn't help them get back inside the top 50 with a song that probably should have.

"Love Comes Quickly" by Pet Shop Boys

Peak: number 54

"West End Girls" was spending its 12th and final week in the top 20, but this follow-up could do no better than getting to number 54 - twice. "Love Comes Quickly" spent 10 weeks bouncing around between numbers 51 and 70, settling at its peak position on two separate occasions. Its almost as if people wanted to like the song, since its predecessor had been so popular, but it never quite got there. That's a pretty good summary of how I feel about "Love Comes Quickly" - it's a nice enough song with a fun, innuendo-laden title, but it's always seemed like an odd choice of single in the wake of "West End Girls".

New Entries

Number 49 "Left Of Center" by Suzanne Vega featuring Joe Jackson

Peak: number 35

A few weeks ago we saw two new entries from Pretty In Pink hit the chart - and this week, a third track from the soundtrack album joined "Shellshock" and "If You Leave" in the top 50. "Left Of Center" became a second minor hit for Suzanne Vega following the recent re-release of "Marlene On The Wall", which had just finished a nine-week stint bubbling around the 40s. This track, which featured Joe Jackson on piano, did marginally better and no doubt helped Pretty In Pink edge ever closer to the top 10 (it would end up peaking at number 6).

Number 45 "Weak In The Presence Of Beauty" by Floy Joy

Peak: number 29

For some reason, I wasn't aware this original version of the track later covered by Alison Moyet had been successful in Australia. But, it actually did much better here than in the UK (where it tanked at number 85) and even peaked one place higher on the ARIA chart than Alison's remake (a UK number 6 in 1987). A song I've always found a little tedious no matter who's performing it, "Weak In The Presence Of Beauty" was the first single from the third incarnation of Floy Joy. The group had already been through two female singers before former backing vocalist Desi Campbell stepped up to the main mic.

Number 40 "Holding Back The Years" by Simply Red

Peak: number 16

Another popular song I find a bit snooze-inducing is this US chart-topper from Simply Red. "Holding Back The Years" had initially reached a disappointing number 51 in the UK and had fallen out of the ARIA top 100 after peaking at number 87, but the ballad's success in America prompted a renewed push in both countries. Reissued in Britain, it ended up going as far as number 2, while in Australia, the single re-entered the chart and made its way into the top 20.

Number 37 "When Tomorrow Comes" by Eurythmics

Peak: number 7

Their first two hits had both featured in the top half of the first ARIA chart exactly three years earlier, and Eurythmics hadn't put a foot wrong in the years since, only missing the top 20 with previous single "It's Alright (Baby's Coming Back)" - and to be fair, that had been the fourth release from a chart-topping album (Be Yourself Tonight). Order was restored as this lead single from Revenge sailed into the top 10. Musically, "When Tomorrow Comes" was a return to the rockier sound heard on "Would I Lie To You?" - a style that defined Revenge. Annie Lennox and Dave Stewart were even decked out in matching leather jackets for the occasion. More hits were to come, with the duo maintaining their top 20 strike rate until early 1988.

Number 35 "Hunting High And Low" by a-ha

Peak: number 33

A-ha had kicked off their first concert tour in Australia in June 1986, so it's little surprise the title track of their debut album received a warmer reception on the ARIA chart than previous single "Train Of Thought". It might have helped that "Hunting High And Low" is also a much better song. Significantly remixed from the album version, the dramatic ballad was a change of pace from the trio's three hits so far, made even more effective thanks to the presence of an orchestra on the track. Just beautiful.

Listen to this week's new entries on my Spotify playlist of all the top 50 hits from 1986:

Next week: Madonna returns with another new single - and another new look, plus a hit remake of a song that had topped the Australian chart in 1970.

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