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  • Gavin Scott

This Week In 1988: September 18, 1988

Originally posted as 25 Years Ago This Week in 2013. Updated in 2018.

If you've read any of my posts before, you might have gathered I'm not the world's biggest hard rock fan. I make the odd exception ('80s Bon Jovi, Foo Fighters), but I generally like things on a pop, dance or R&B tip, and my rock down the softer end of the spectrum.

Welcome to the jungle, indeed

In 1988, that taste in music meant I came in for a certain amount of ridicule at school (I was in Year 8 at an all boys school) - and this week that year saw the arrival on the ARIA chart of a band the cool kids championed. I was pretty disinterested in Guns n' Roses, but at least it was a change from the constant adoration of U2 and The Doors.

Also this week in 1988, a song adored by most people (although not me) climbed to number 1. Robert Palmer's "Simply Irresistible" would go on to spend five weeks at the top and become one of the year's biggest sellers in the process.

Off The Chart

Number 80 "Love And Mercy" by Brian Wilson

Peak: number 72

Theoretically still park of The Beach Boys (who'd make a huge return to the chart later in the year), founding member Brian Wilson didn't receive the same welcome with this single from his self-titled debut solo album.

Single Of The Week

"Chains Of Love" by Erasure

Speaking of number 1s, this track was not only my favourite song for 1988, but also my top song for the entire decade of the '80s. And I have the ARIA chart to thank for drawing my attention to it. I was aware of Erasure due to their previous top 50 hits, "Sometimes" and "Oh L'amour", but I probably wouldn't have been aware that "Chains Of Love" was released without the prompt at the bottom of the chart, since the British duo received very little other promotion in Australia. As a result, the second single from The Innocents album didn't even make the top 100 here.


"Glory! Glory!" by Underworld

Peak: number 64

Quite a different style of song to "Underneath The Radar", "Glory! Glory!" slows the pace right down and gives even less of an inkling of the electronic direction the band would take in the '90s.

New Entries

Number 46 "This Is The Chorus" by Morris Minor & The Majors

Peak: number 22

After taking the mickey out of rap music with "Stutter Rap (No Sleep Till Bedtime)", the British comedic trio now turned their attention to music's most successful triumvirate: Stock Aitken Waterman. "This Is The Chorus" referenced SAW hits like "Respectable" and "I Should Be So Lucky", while the video featured Tony Hawks and pals dressing up as Bananarama, Rick Astley, Mel & Kim, Kylie Minogue and SAW themselves.

Interestingly, the likes of Dead Or Alive, Sinitta and Divine were spared from the satire - and this song was released one year too early to encompass the eminently lampoonable Reynolds Girls, Sonia and Big Fun. Also curious: although "Stutter Rap" had been a huge success in the UK, "This Is The Chorus" flopped there (missing the top 75 entirely), despite SAW being even more inescapable than they were in Australia. But, the Kylie backlash was in full swing here and any excuse to make fun of the Neighbours star was embraced wholeheartedly by certain parts of the Australian public.

Number 42 "Fallen Angel" by Poison

Peak: number 21

With Bon Jovi between albums, the even-more-glam Poison happily stepped in to become Australia's favourite long-haired, leather-clad rock group - and "Fallen Angel" followed "Nothin' But A Good Time" up the chart. But, as we'll see in a moment, their time in the sun would be overshadowed by a harder, more credible rock act. Meanwhile, the "Fallen Angel" music video featured a classic hard rock tale: good girl leaves home, turns out to not be so good.

Number 40 "I Know You're Out There Somewhere" by Moody Blues

Peak: number 37

With bands like Poison and Guns 'n' Roses also debuting this week in 1988, the appearance of this group who'd been big in the 1960s and '70s with songs like "Nights In White Satin" and "Go Now" seems more than a little out of place. The first single from Sur La Mer, "I Know You're..." wouldn't progress much further - no doubt because it sounded incredibly dated, even for 1988 and even though only two years earlier, the similar sounding "Your Wildest Dreams", had been an Australian top 20 and US top 10 hit. "I Know You're..." was actually a sequel to "Your Wildest Dreams", with the music video carrying on the storyline started in that earlier track.

Number 36 "Sweet Child O' Mine" by Guns 'n' Roses

Peak: number 11

It wasn't their debut single, but "Sweet Child O' Mine" (the third release from the Gunners) was the first track to make any impact in Australia. The song, like so many other classics throughout the rock era, was written "in five minutes" by the band and quickly established them as the coolest new music act around. Harder sounding and grittier looking than the pretty boys of Bon Jovi, Poison and Mötley Crüe, Guns 'n' Roses arguably paved the way for the advent of grunge in the 1990s, if only by making flannelette shirts a must-have item of clothing.

Number 34 "When You Come" by Crowded House

Peak: number 27

In previous single "Better Be Home Soon", it had appeared that Crowded House had the goods to continue their unbroken streak of classic pop/rock releases - but that all came to a crashing halt with this second single from Temple Of Low Men. What would have been a decent enough album track ended up being a disappointment as a single and, despite the presence of "Better Be Home Soon" as a B-side, "When You Come" floundered on the chart. Three subsequent singles from the album, "Into Temptation", "Sister Madly" and "I Feel Possessed", all missed the top 50 entirely.

Number 29 "As The Days Go By" by Daryl Braithwaite

Peak: number 11

With John Farnham proving the Australian record buying public was more than ready to welcome back music stars from decades past, the former Sherbet singer and solo star in his own right resurrected his music career with this radio-friendly pop/rock track. It was no "You're The Voice", but "As The Days Go By" and the accompanying album, Edge, were just the kick-start Daryl's career needed after a four-year absence from the charts and gave him his highest charting track (solo or with Sherbet) in 10 years. There were two clips shot for "As The Days Go By" - there's a link to one in the song title above and the other is below.

Listen to this week's new entries on my Spotify playlist of all the top 50 hits from 1988:

Next week: it's a bit of a slow one on the singles chart, so I'll take a look at what was happening on the albums chart 25 years ago as well. Meanwhile, I'm hoping to start my countdown of my favourite songs from 1997 soon. Watch this space - or should that be (blog)spot?

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