This Week In 1993: September 19, 1993
It's always interesting how differently an artist can fare in one country compared to another, especially when their debut single is a huge success all around the world. For the female singer who arrived on the ARIA singles chart this week in 1993, her Australian achievements - two hits, separated by an eight-year gap - paled in comparison to her tally of 10 top 10 singles at home in the UK.
But in 1993, both Australia and Britain welcomed the eyepatch-wearing singer immediately, with her debut single flying towards the top of the chart. In the UK, it reached number 1, while in Australia it fell one place short.
At number 1 this week in 1993, Meat Loaf was settling in for the long haul as "I'd Do Anything For Love (But I Won't Do That)" spent its third week on top.
Off The Chart
Peak: number 67
The Commitments had made him if not a household name then at least a voice recognised by hundreds of thousands around the country, but those fans did not follow the Irish singer as he launched his solo career.
Number 79 "Human Behaviour" by Björk
Peak: number 63
Not including the music she released as a pre-teen, this was the Icelandic singer's first solo effort away from The Sugarcubes - the lead single from her appopriately titled album, Debut.
Single Of The Week
Peak: number 131
She'd been a runner-up on talent contest Star Search before signing with Festival Records and releasing this remake of the 1976 single by The Brothers Johnson (previously covered in 1989 by Quincy Jones featuring Ray Charles and Chaka Khan). But Tracey Arbon wasn't able to turn TV fame into chart success with this or any of her subsequent releases.
Peak: number 45
Looked like the top 30 success of "Father's Day" was going to be an anomaly as this lead single from the folk rock band's fifth album, King Tide, merely poked its head into the top 50 and no subsequent single by Weddings Parties Anything even got that far.
Number 49 "Harness Up" by Died Pretty
Peak: number 35
Meanwhile, here's another Australian band making their top 50 debut with the second single from their biggest album, Trace. "Harness Up" is one of those songs I didn't think I knew, but as soon as I played it and that "Oooh-oh-oh-oh-oooh-oo-oh-oh" vocal hook kicked in, it was instantly familiar. Surprisingly not a bigger hit given it even registered on my radar at the time.
Number 46 "Runaway Train" by Soul Asylum
Peak: number 11
Here's a song I do remember, especially thanks to its missing children-themed music video, and, I have to say, I find it as much of a dirge now as I did back in 1993. The Grammy-winning song (which is actually about depression) changed everything for the American band, who'd been releasing music since 1984 - and its video also had quite an impact, with region-specific versions released in different parts of the world, including Australia, where some of those missing turned out to be victims of backpacker murderer Ivan Milat.
Number 40 "Human Wheels" by John Mellencamp
Peak: number 40
Our rock fest continues with the title track of John Mellencamp's 12th studio album, which got its lyrics from a eulogy written by the singer's collaborator, songwriter George Green. "Human Wheels" wasn't one of John's biggest hits in Australia - and I'm not convinced I've ever listened to it before - but the album of the same name did better, debuting this week at number 7 before dropping like a stone out of the top 50 within five weeks.
Number 33 "Dreams" by Gabrielle
Peak: number 2
The lone female performer in a male-dominated week, Gabrielle had made a huge impression at home earlier in the year when she blasted into the UK chart at number 2 - the highest ever debut by a new female artist. "Dreams" went on to spend three weeks at number 1 there. The singer born Louise Bobb (Gabrielle is her middle name) didn't get off to as quick a start in Australia, but she did wind up at number 2 locally, denied a chart-topper by Ace Of Base. Originally featuring a sample of "Fast Car" by Tracy Chapman, "Dreams" was a delicious slice of pop/soul - the first of many Gabrielle would release (and do well with) in the UK. In Australia, it would take until 2001's "Out Of Reach" for her to break the one-hit wonder tag, with local listeners ignoring the likes of "Going Nowhere", "Give Me A Little More Time" and "Sunshine" in the meantime.
Number 24 "Heart-Shaped Box" by Nirvana
Peak: number 21
Back to the rock... and a brand new track from Nirvana, who were following up the world-conquering Nevermind with their third - and, it would turn out, final - studio album, In Utero. An unexpectedly modest hit given it was new music from one of the world's biggest bands, "Heart-Shaped Box" just missed the top 20, although perhaps fans were holding out for the album, which debuted at number 2 the following week (blocked from the top by Meat Loaf). Like "Harness Up", this is another song I didn't know by name, but that "Hey! Wait" lyric is certainly memorable. There are a few quite interesting theories about the meaning behind the song, but I'm sure fans already know way more about that than me, so let's move on to another under-performing lead single from a new album...
Peak: number 16
Since he'd returned to his solo career in 1986, a new John Farnham album had meant major singles chart action, with the first two singles from each of Whispering Jack, Age Of Reason and Chain Reaction all reaching the top 10. That changed in 1993 when this lead single from Then Again... only climbed a couple of places from this entry position. Co-written with Rosses Wilson (of Mondo Rock and Daddy Cool) and Fraser (the album's producer), "Seemed Like A Good Idea At The Time" certainly lived up to its title on the singles chart, but that didn't stop the album hitting number 1, just as those previous ones had. Had Farnsey lost his hit singles touch? Time would tell...
Listen to this week's new entries on my Spotify playlist of all the top 50 hits from 1993:
Next week: a chart-topping band with hits that were almost exclusively cover versions make their last showing on the top 50... with an original song.