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  • Gavin Scott

This Week In 1992: September 20, 1992

It was a pretty eclectic week on the ARIA top 50 this week in 1992, with a diverse range of songs making their debut - truly something for everyone. The biggest hit of all was a single which got its rather unusual title from the film in which it featured.


White Men Can't Jump spawned one of 1992's biggest R&B hits

I say "unusual" not only because it was kind of an odd thing to call a song, but because the vast majority of soundtrack hits aren't named directly after the movies from which they are taken. Can you imagine a tune called "Robin Hood: Prince Of Thieves" or "Titanic" or "Four Weddings And A Funeral'? And yet "White Men Can't Jump" became a song.



The reign of terror was almost over as "Amigos Para Siempre (Friends For Life)" spent its sixth and final week at number 1 this week in 1992. We'd get a brief respite before a track that was just as bad lodged itself firmly on top.

Off The Chart

Number 100 "So What 'Cha Want" by Beastie Boys

Peak: number 64

The rap trio's first top 100 appearance since "(You Gotta) Fight For Your Right (To Party!)" established their early hit would not be indicative of the rest of their more credible output.

New Entries

Number 49 "Don't You Want Me" by Felix

Peak: number 17

Our smorgasbord of new entries begins with one of 1992's great dance tracks - the debut single by British DJ/producer Francis Wright. Taking its vocal hook from Jomanda's 1989 release "Don't You Want My Love", Felix's "Don't You Want Me" gave birth to a new more electronic sub-genre of house known as hardbag. And since it was one of those era-defining dance tunes, it's never really gone away since, with regular remixes, covers and samples (including in Snoop Dogg vs David Guetta's 2011 chart-topper, "Sweat"). For Felix, it'd be his only hit in Australia, although we'll see a couple of follow-ups make the top 100 in months to come.

Number 48 "Without You" by Girlfriend

Peak: number 18

So far, the Girlfriend explosion had left me unmoved, but with their third single, obligatory big ballad "Without You", my interest was piqued. Unlike their two hits to date, "Take It From Me" and "Girl's Life", the song wasn't a watered down version of new jack swing, but just a nice tune, sung well. And it gave the five-piece a third top 20 hit to coincide with the release of their debut album, Make It Come True, which debuted in the top 10 in early October.

Number 46 "Have You Ever Needed Someone So Bad" by Def Leppard

Peak: number 44

At this point, Def Leppard and Bryan Adams really were kind of interchangeable - with this latest single from Adrenalize sounding like it could just as easily have been the next power ballad released from Waking Up The Neighbours. "Have You Ever Needed Someone So Bad" didn't progress much further and we wouldn't see the British rock band on the top 50 until they had their next album out in late 1993.



Number 40 "Who Is It" by Michael Jackson

Peak: number 34

After three straight Teddy Riley co-productions, Michael Jackson plucked another track co-produced with Bill Bottrell (who'd worked on "Black Or White") off Dangerous for the album's fifth single. The moody "Who Is It" is about wanting to know who your partner has been seeing on the side, and in the David Fincher-directed music video, Michael's lover had a double life as a high-class escort and therefore slept with quite a few different people behind his back.

Number 38 "Lead Me To Water" by Southern Sons

Peak: number 36

Uh-oh, looked like the band that'd taken over from 1927 as Australia's favourite FM-friendly pop/rock group a couple of years earlier were themselves going to stumble with their second album. This lead single from Nothing But The Truth could only have been a commercial disappointment for Southern Sons, who'd enjoyed three consecutive top 20 hits straight out of the gate. It probably didn't help that it was kind of forgettable. Things got even worse when the album itself was released in November - it spent just two weeks on the top 50, peaking at number 31 and its second single, "Can't Wait Any Longer", missed the top 100 completely. But the story for Southern Sons - and Nothing But The Truth - wasn't quite over, with a surprise turnaround in 1993.

Number 37 "Success Has Made A Failure Of Our Home" by Sinéad O'Connor

Peak: number 37

Here's another artist following up one of 1990's biggest albums and making her first appearance on the singles top 50 since "The Emperor's New Clothes". But Sinéad O'Connor also came nowhere near matching the phenomenal success of "Nothing Compares 2 U" and I Do Not Want What I Haven't Got. This was pretty much down to two reasons: 1) "Success Has Made A Failure Of Our Home", a reworking of the 1962 Loretta Lynn song just called "Success", and her album of jazz standard covers, Am I Not Your Girl?, weren't as well received by fans or critics and 2) in a couple of weeks' time, Sinéad's controversial decision to tear up a picture of the Pope on Saturday Night Live got a lot of people offside.

Number 36 "White Men Can't Jump" by Riff

Peak: number 6

It might've seemed like this five-piece were riding on Boyz II Men and Color Me Badd's coattails, but the truth of the matter was New Jersey's Riff had actually beaten their vocal harmony rivals onto the Billboard Hot 100 with their ballad debut single, "My Heart Is Failing Me" (incidentally, one of my favourite songs from 1991). They'd also featured as a doo-wop group in 1989 film Lean On Me. In Australia, it was another movie, Wesley Snipes/Woody Harrelson basketball comedy White Men Can't Jump, that provided Riff with their only top 50 hit: the film's title song. The lyrics of the Dallas Austin-produced track seem to reflect the premise for the film - Woody's ex-player character would hustle black guys playing ball who'd assume he was no good because of his race.

Number 35 "Digging In The Dirt" by Peter Gabriel

Peak: number 23

It'd been six years since Peter Gabriel's last studio album, So, and five-and-a-bit since he last visited the ARIA top 50 with "Big Time". For the lead single from his sixth studio album, Us, Peter chose a much darker song (inspired by a project of his delving into the minds of serial killers, as well as him dealing with his own personal issues) than people might've been expecting. I'd go as far as to suggest that it probably only did as well as it did on the chart because it'd been so long since he'd released anything. Also, for a touch of familiarity, he teamed "Digging In The Dirt" with another cutting edge animated music video, which went on to win a Grammy Award and probably helped the single's cause.

Listen to this week's new entries on my Spotify playlist of all the top 50 hits from 1992:

Next week: the debut of a UK number 1 hit by an artist who'd end up a one-hit wonder in Australia, plus a singer with quite a few number 1s under her belt released her first greatest hits collection.


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