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  • Gavin Scott

This Week In 1993: March 21, 1993

Over the past couple of weeks, we've seen American bands remake "Cat's In The Cradle" and "Mrs Robinson" in early '90s rock style. This week in 1993, the triumvirate of covers was completed by another update of a hit from decades past.

Landing a second number 1 hit was "Easy" for Faith No More

And like the Ugly Kid Joe remake, this new cover would go on to reach the number 1 spot on the ARIA singles chart - the second time the band in question reached the top, although this remake was nothing like the song they'd reached number 1 with back in 1990.

The number 1 song this week in 1993 was still "You Don't Treat Me No Good" by Sonia Dada, but with two future chart-toppers queuing up behind, its days on top were numbered.

Off The Chart

Number 94 "The Morning Papers" by Prince & The New Power Generation

Peak: number 87

This final single from the Love Symbol album was a chart disappointment around the world, missing the Australian, US and UK top 40s. A couple of months later, Prince would change his name to that same unpronounceable symbol.

Number 90 "Rock This Boat" by Things Of Stone & Wood

Peak: number 51

This jaunty follow-up to breakthrough single "Happy Birthday Helen" was unlucky not to become a hit, kept waiting on the threshold of the top 50 for two straight weeks. 

Number 87 "B.I.N.G.O." by The Movement

Peak: number 84

As "Jump" spent its 19th week in the top 50, this irritating second single from dance act The Movement based on the nursery rhyme thankfully didn't match its predecessor's success.

Number 77 "Land Of The Living" by Mantissa

Peak: number 60

Since their name change from Killing Time, rock band Mantissa hadn't been able to land another hit. This single would be their final top 100 appearance, although they continued recording and touring until 1996.

New Entries

Number 45 "I Feel You" by Depeche Mode

Peak: number 37

Somewhere along the way during Depeche Mode's transformation from slick synthpop group to stadium-filling synth rockers, Australia had lost interest in the band we'd once sent into the top 5 with "Just Can't Get Enough". Not even 1990's Violator album, despite all its international success, made waves locally. 

Things changed with their eighth studio album, Songs Of Faith And Devotion, which not only saw the band breach the albums top 20 for the first time, but returned them to the singles top 50 following a nine-year absence since 1984's "People Are People". The song that did it was lead single "I Feel You", a synth-meets-rock anthem that burst from the speakers and was a world away from the sound most Australian fans would've associated them with. 

Whether it was the rockier vibe that appealed to Australians or the fact that both "I Feel You" and the accompanying album were among the best work the band had ever produced, I'm not sure, but as a result of the improvement in their profile, Depeche Mode undertook their first major tour of Australia the following year - and I slept out overnight for tickets, having fully embraced my love for the band with this album.

Number 44 "Little Bird / Love Song For A Vampire" by Annie Lennox

Peak: number 38

Her solo career had got off to a good start with top 20 single "Why" and the Diva album debuting inside the top 10, but any hope that Annie Lennox would be as consistently successful as Eurythmics had been throughout the '80s were dashed when both "Precious" and "Walking On Broken Glass" fell short of the top 50. Things took a turn for the better when easily the best song from the album was finally released as a single and she returnedto the top 50. With its career-referencing music video, featuring a host of doppelgängers dressed in Annie's most memorable looks, and a new track as a double A-side - "Love Song For A Vampire" from the Dracula soundtrack - it had everything going for it, but still somehow only just crept into the top 40.

Number 33 "Easy" by Faith No More

Peak: number 1

Despite sounding nothing like what we'd come to expect from Faith No More, this reworking of Commodores' 1977 US and UK top 10 hit - it reached number 75 in Australia - wasn't completely out of the blue. The band had been performing the song in concert and recorded their fairly faithful version during the sessions for the Angel Dust album. Eventually added to the tracklisting for the album, it became its final single - and its biggest by some margin. Although "Epic" had given Faith No More a number 1 single in 1990, that song's massive success had so far been a one-off in Australia, with the band settling in to a series of modest chart achievements ever since, clearly appealing to a more niche audience. But just as "Easy" had been part of Commodores evolution from soul/funk band to adult contemporary crowd pleasers, so too did the cruisy tune provide Faith No More with an opportunity to once again reach a wider fanbase. 

Number 16 "Truganini" by Midnight Oil

Peak: number 10

Here's a band who'd enjoyed an incredibly large fanbase in Australia for about a decade, and this lead single from eighth studio album Earth And Sun And Moon maintained that, giving Midnight Oil their first top 10 single since 1990's "Blue Sky Mine". Named after an Indigenous woman from Tasmania whose story you can read here, the song also touched on the republican movement in Australia and the socio-economic problems facing the country. "Truganini" would turn out to be Midnight Oil's final major hit, with no further singles reaching the ARIA top 20. It seems their days of shifting truckloads of albums were also behind them, with Earth And Sun And Moon failing to match the chart-topping status of Blue Sky Mining and Diesel And Dust (although it did get to number 2), and selling a fraction of what those albums did.

Listen to this week's new entries on my Spotify playlist of all the top 50 hits from 1993:

Next week: the sixth and seventh singles from a 16-month old album by a music superstar debut in the same week, while the latest hit by another megastar also arrives. Plus, the first ARIA chart appearances by a multiple Grammy Award-winning Canadian singer/songwriter and a local rock band that'd go on to dominate the 1994 ARIA Awards.

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