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  • Gavin Scott

This Week In 1984: April 22, 1984

If a picture is worth a thousand words, surely one image will introduce this week's big new entry better than I could. A photo like this...

Or this...

Definitely this...

This week in 1984, a song that needs no introduction to anyone old enough to remember the year debuted on the ARIA chart on its way to number 1.

Holding on to the number 1 spot this week in 1984 was Nena's "99 Luftballons/99 Red Balloons", which remained on top for a third week.

Off The Chart

Number 99 "My Ever Changing Moods" by The Style Council

Peak: number 70

Revamped from the understated piano and vocal album version for its single release, this might have been criminally overlooked in Australia but remains Paul Weller's career-best effort in the US.

Number 94 "The Dream (Hold On To Your Dream)" by Irene Cara

Peak: number 84

After non-movie single "Why Me?", Irene Cara was back in soundtrack mode with this latest Giorgio Moroder collab, taken from comedy film D.C. Cab, starring Mr T and Gary Busey.

Number 92 "Don't Count The Rainy Days" by Michael Martin Murphey

Peak: number 92

Here's one of those random country tracks that slipped into the top 100 without most people realising. This was MMM's final Australian chart appearance - his biggest hit having been "Wildfire" (number 22 in 1975).

Number 86 "(Feels Like) Heaven" by Fiction Factory

Peak: number 51

So close yet so far! This debut single by the Scottish new wave band really should've done better locally. The UK number 6 hit was covered almost two decades later by Dario G.

New Entries

Number 50 "Working With Fire And Steel" by China Crisis

Peak: number 47

We saw follow-up single "Wishful Thinking" enter the top 100 last week and finally the (kind of) title track of China Crisis's second album edged into the top 50 after climbing the chart since mid-March. "Working With Fire And Steel" would get stuck on the bottom rung for two more weeks before finally mustering enough momentum to reach its final peak - not a massive hit, but a song that seems to have a fond place in many synthpop fans' hearts. I'm pretty sure there's an anti-Thatcher message in the lyrics.

Number 48 "P.Y.T. (Pretty Young Thing)" by Michael Jackson

Peak: number 40

While "Thriller" had brought proceedings to an end for the album of the same name in most parts of the world, Australia went back and mopped up the single we'd skipped over. Thriller's sixth single, "P.Y.T. (Pretty Young Thing)", became the final release here and brought the album's tally of Australian top 40 hits up to six, with only "Human Nature" having missed out. 

Co-written by Quincy Jones and James Ingram using the title from a different song Michael Jackson had co-written, the much-sampled funk track had been a top 10 hit in the US, but probably did as well as it was going to at this stage in Australia - especially without a music video. It's still staggering how tight-fisted Epic Records were, considering how much money Thriller would've made them, to not OK a clip for this song. How amazing would it have been, especially if guest vocalists Janet and La Toya Jackson put in an appearance?

Number 46 "It's A Miracle" by Culture Club

Peak: number 14

Speaking of music videos, I have vivid memories of this clip - the life-size board game, the geisha girl playing guitar, Jon Moss's crop top, the premature career flashbacks... At this point, though, Culture Club could pretty much do whatever they wanted and no one would mind since they were releasing one great single after another. And there was no more perfect way to follow dramatic ballad "Victims" than with the bouncy, Caribbean-influenced "It's A Miracle", which became the band's sixth consecutive top 20 hit.

Number 30 "Footloose" by Kenny Loggins

Peak: number 1

As it wrapped up three weeks on top of the US chart, Australia kicked off the Sunday shoes and got dancing to one of the year's biggest soundtrack hits. Taken from the movie of the same name, "Footloose" not only played over the climactic prom scene but would provide the soundtrack from countless weddings, 21st parties and retro club nights for decades to come. 

The song was co-written by Kenny Loggins with Footloose screenwriter Dean Pitchford, who co-wrote all nine of the tracks on the soundtrack album. Given Kenny's previous (overseas) success with "I'm Alright" from Caddyshack, his involvement with the theme song was crucial for film execs - but it almost didn't happen. Kenny had broken a rib during a show and taken time out to recuperate, leaving only a very small window for the collaboration to happen. Dean fought through his own illness rather than lose the opportunity.

"Footloose" was the first of six top 40 hits from the soundtrack album in the States. In Australia, only two songs from the movie achieved the same level of success - we'll see the second one in early June. Kenny's other US hit from the album, "I'm Free (Heaven Helps The Man)", missed the top 100 entirely. The video below is the one I remember with all the variously shoed feet dancing, while the official Vevo video features more scenes from the movie, especially Kevin Bacon's warehouse dance (which was actually performed to Moving Pictures' "Never" in the film).

Listen to this week's new entries on my Spotify playlist of all the top 50 hits from 1984:

Next week: time for some comedy (oh, good), with all three singles entering the top 50 having a humorous bent - including the record that sneaked to number 1 ahead of "Footloose" and parodied another of this week's debuting artists.

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