This Week In 1985: May 26, 1985
Music talent often runs in families - and over the decades, several groups of siblings have taken on the charts. Some, like The Jacksons and The Osmonds, become global phenomena; others, like Five Star and The McClymonts, have more territory-specific success.
This week in 1985, a family band that'd had a handful of minor hits in the US hit the ARIA top 50 with the song that'd take them up charts all around the world.
Still up on top of the Australian chart this week in 1985 - USA For Africa held strong with "We Are The World". Its tally of seven weeks now made it the longest-running number 1 since the eight-week stay of "I Just Called To Say I Love You" by Stevie Wonder, who appeared on "We Are The World" and whose tally would eventually be surpassed by the charity record.
Off The Chart
Number 100 "Lucky In Love" by Mick Jagger
Peak: number 77
I don't think I've ever heard this second single from She's The Boss before - probably on account of its lowly chart peak - but I don't mind it, more so than most solo tracks by the Rolling Stone.
Number 83 "Love Like Blood" by Killing Joke
Peak: number 83
After years of placing singles in the 50s and 60s in the UK, this goth/new wave band cracked the top 20 there with this Night Time single. Locally, it was their only top 100 appearance but it's worth a listen for any fans of The Cult and The Damned unfamiliar with it.
Number 46 "We Will Together" by Eurogliders
Peak: number 7
Geez, get a room! Future husband and wife (and divorcees) Bernie Lynch and Grace Knight were clearly incredibly hot for each other at this point in time, with this video for the lead single from the Absolutely album featuring a full-on public display of affection (and an unfortunate choice of swimwear). Also hot at this stage in 1985 was the Perth band's career - having hit number 2 (behind The Twelfth Man and Wham!) in 1984 with "Heaven (Must Be There)", a song that also made US top 70. "We Will Together" returned them to the top 10 and would be the first of a string of big singles from the album - one which made its way into my family's record collection at the time.
Peak: number 19
Last week, we saw the fourth and final single from Queen's The Works album miss the top 50, but singer Freddie Mercury had much better luck with the lead single from his debut solo album, Mr Bad Guy. "I Was Born To Love You" wasn't his first solo release - "Love Kills" bombed back in February - and like that earlier single, this track featured more of a synthpop feel than the majority of Queen's output. Despite the fact that this is a really good song and Queen was one of the world's biggest band's, Freddie couldn't sustain a successful solo career. It'd take another seven years for him to return to the ARIA top 50 with a posthumous re-release of "Barcelona", his 1987 duet with opera singer Montserrat Caballé).
Number 41 "Rhythm Of The Night" by DeBarge
Peak: number 5
Despite all its success in the 1960s and '70s, Motown Records didn't manage to maintain such an impressive hit strike-rate in the 1980s, with established stars Diana Ross, Stevie Wonder and Lionel Richie providing the label's few chart-topping singles. One of the only new acts to be successfully launched by the former hit machine was family group DeBarge, which consisted of brothers Marty (real name: Mark), Randy (real name: William), El (real name: Eldra) and James (he got to keep his name), and sister Bunny (real name: Etterlene).
Despite the obvious comparisons to former Motown stars The Jacksons, DeBarge had been more of a ballads act up until this point, but it was this upbeat little number - one of the first hits penned by super-songwriter Diane Warren - that saw them extend their fanbase beyond the US. With nothing else like this in their repertoire, the group would ultimately be a one-hit wonder in Australia.
Infectious pop smash "Rhythm Of The Night" was taken from the soundtrack to the "martial arts musical" film Berry Gordy's The Last Dragon, which, as the name suggests, was produced by the Motown founder. Meanwhile, keeping it in the Motown family, James DeBarge is the man responsible for Janet Jackson's early annulled marriage, with the two crazy young kids having eloped a year earlier in 1984.
Number 36 "Would I Lie To You?" by Eurythmics
Peak: number 1
With the 1984 (For The Love Of Big Brother) soundtrack behind them, Eurythmics moved on to the Be Yourself Tonight album - and this first single was quite a change in musical direction for the normally more synth-based duo. The rock sound was matched by Annie Lennox's feisty performance in the heavily played music video, with the new attitude going down a storm in Australia (where it became their sole chart-topper) and the US (where it reached number 5). Not so convinced were the band's British fans, who only propelled the single to number 17. Granted, that was an improvement on the performance of 1984's second single, "Julia" (which tanked at number 44 in the UK), but "Would I Lie To You?" was the only non-soundtrack Eurythmics single to miss the British top 10 since before their breakthrough with "Love Is A Stranger". Order would be restored with the follow-up, which showed yet another side to the band - and also featured Stevie Wonder (he's everywhere this week!).
Number 35 "50 Years" by Uncanny X-Men
Peak: number 4
All that partying (on the Beach Party EP and "The Party" single) must have worn Aussie rockers Uncanny X-Men out since "50 Years" saw them slow the tempo right down. The risk paid off - the rock ballad turned out to be by far the band's biggest single up until this point and would wind up being their only release to make the singles top 10. Of course, the music video showed the early morning aftermath of... a party.
Listen to this week's new entries on my Spotify playlist of all the top 50 hits from 1985:
Next week: one of the biggest bands in the world - especially among owners of CD players - and two new Australian bands that didn't manage to become the next big thing.