This Week In 1989: May 28, 1989
Originally posted as 25 Years Ago This Week in 2014. Updated in 2019.
Regular readers of my weekly trip back to the ARIA charts from 1989 will know I'm not the world's biggest fan of out and out rock music. And, while I can write for paragraphs about the impact (or lack thereof) of "I'd Rather Jack", I struggle to have very much to say about the harder end of the music spectrum.
With that in mind, the new entries on the singles top 50 this week in 1989 were without exception by rock artists of one type or another. So the challenge is set for me to not just post some YouTube clips, give up and return next week. Can I find something interesting to relate about hair metal ballads, Aussie pub music and MOR mullet rock? You be the judge...
A song I did actually like leapt to the top of the ARIA chart this week - "Eternal Flame" by The Bangles dislodged Madonna and looked like it was set to take up a lengthy residence at number 1. However, the switcheroo at the top spot was far from over.
Off The Chart
Number 97 "She Did It" by Glamour Camp
Peak: number 94
Glamour Camp was fronted by Christopher Otcasek, son of The Cars' Ric Ocasek, and although he reverted to their surname's original spelling, Christopher didn't venture too far musically from the catchy pop/rock his dad was known for.
Peak: number 75
It was no "Especially For You", which this duet by the former Young Talent Time regulars was clearly designed to be. Dated even by 1989 standards, the schmaltz-fest didn't turn the duo, who I believe dated in real life, into chart stars.
Number 81 "Crime" by Janz
Peak: number 70
This slice of Australian pop isn't on YouTube, but I have vague recollections of it being Go 101/Rockmelons-style funk/pop. The band took their name from singer David Janz's surname.
Number 79 "Wages Day" by Deacon Blue
Peak: number 79
"Real Gone Kid" would turn out to be the Scottish band's only hit in Australia, with this second single from When The World Knows Your Name (and everything they released subsequently) missing the top 50.
Peak: number 52
It's quite fitting that before we head into our rock-fest, we come across an Australian synthpop/funk group who struggled for credibility in an industry obsessed with pub bands and guitar rock. At this stage of their career, Wa Wa Nee were also struggling on the charts, with this third single from second album Blush unable to even make it into the top 50. The writing had been on the wall when the album's first two singles failed to become sizable hits - but the disappointing performance of "I Want You" was really the end of the road for Wa Wa Nee, who disbanded shortly after. But, like so many other '80s acts, it was only a matter of time until Wa Wa Nee was resurrected - and Paul Gray had been performing reasonably regularly in recent years until his untimely death in April 2018.
Number 50 "Change His Ways" by Robert Palmer
Peak: number 38
Describing Robert Palmer as a rock artist is to sell him a bit short, but for the purposes of this week's post, he fits the mould well enough. After all, his two biggest singles, "Addicted To Love" and "Simply Irresistible", not only had the same video but were at the rockier end of his repertoire. But, that's not the whole story - Robert also released tracks with synthpop, soul and funk stylings over the years, and even had the audacity to release this single, which sounds like a riff on The Tokens'/Tight Fit's "The Lion Sleeps Tonight". The cute animated clip (which contained a nod to his more famous music videos) almost allowed him to get away with it.
Number 47 "Simple Man" by Noiseworks
Peak: number 47
OK, onto our first rock song proper, and it's yet another under-performing release by one of my favourite Australian bands of the '80s. The third release from the Touch album, "Simple Man" became the fifth (of six) singles by the group to peak between numbers 60 and 40, which must have been endlessly frustrating for them.
I do like "Simple Man", but I can't help but think "In My Youth" would have been a better choice at this point since "Simple Man" was reasonably similar in feel to the band's previous flop single, "Voice Of Reason". By the time "In My Youth" was released... well, we'll see what happened there in a couple of months.
Side point: could the lack of success of both "Voice Of Reason" and "Simple Man" be at all linked to the fact that singer Jon Stevens lopped off his luscious locks following "Touch"? He may have gone on to play Judas in Jesus Christ Superstar, but perhaps he had more in common with another Biblical figure: Samson.
Number 46 "Pop Singer" by John Cougar Mellencamp
Peak: number 8
Here's an artist whose rock star hair was still intact - and can it be any coincidence that John Cougar Mellencamp (and his flowing mane) enjoyed his highest-charting single since 1982's "Jack And Diane" with this first taste of his 10th album, Big Daddy? Probably. As American as apple pie, JCM is the epitome of good ol' fashioned rock'n'roll - and although it's not my genre of choice, I'd actually enjoyed quite a lot of his songs up until this point. "Pop Singer" didn't do it for me, though - the melody was a bit monotonous - but at least it was a mercifully short track.
Number 44 "Satisfied" by Richard Marx
Peak: number 20
Calling his second album Repeat Offender was asking for it, really, although soft rock hitmaker Richard Marx was still flavour of the month at this stage - especially in the US, where "Satisfied" became his fifth straight top 3 hit. Sure, he'd end up seeming a bit daggy by the time his chart career wound down in the mid-'90s, but for now, the singer/songwriter who verged between rousing radio-friendly rock tracks (like "Satisfied") and sickly ballads (like previous single "Hold On To The Nights"), was a multi-platinum success story, with even bigger things to come in Australia.
Number 40 "I'll Be There For You" by Bon Jovi
Peak: number 23
Speaking of sickly songs, here is one of Bon Jovi's best known power ballads - but for me, it was nowhere near as good as "Never Say Goodbye" or "Wanted Dead Or Alive". In fact, it was the first of a string of rock ballads by the group (including "Bed Of Roses" and "Always") that I found pretty much unlistenable. It wasn't just Bon Jovi recording this kind of song, either - with the likes of Warrant ("Heaven"), Poison ("Every Rose Has Its Thorn") and Bad English ("When I See You Smile") all releasing these ultra-commercial, over-emotive tunes. Naturally, the Americans loved that kind of stuff and sent all those tracks towards the very top of the chart. In Australia, "I'll Be There For You" became another single by Bon Jovi to miss the top 20 - somewhere they wouldn't return as a band until 1992.
Number 34 "Patience" by Guns 'n' Roses
Peak: number 16
Although I don't really like this whistle-heavy ballad by Guns 'n' Roses, either - I give it credit for having more edge than the likes of "I'll Be There For You". "Patience" was the only single released from G N' R Lies, a follow-up to Appetite For Destruction that contained a mix of four previously recorded tracks and four new acoustic songs, including a version of "You're Crazy" from Appetite... Although the album was a bit cobbled together, the band was so hot that both it and "Patience" sold solidly, and they would have served as a good stop-gap measure until their next studio album proper if that gap hadn't ended up extending for nearly two-and-a-half more years.
Listen to this week's new entries on my Spotify playlist of all the top 50 hits from 1989:
Next week: pop fights back with new singles from the biggest pop star in the world, the biggest pop star in Australia and the biggest new boy band on the block. Before then, I may or may not have made a start on my countdown of my favourite songs from 2004 - but it's coming soon.