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  • Gavin Scott

This Week In 1993: March 7, 1993

Sometimes this blog truly is a labour of love, when "labour" is the operative word and there's not much to love at all. Like this week in 1993, which has to go down as one of the worst weeks for a pop fan like me to recap.

The eighth highest-selling single of 1993 in Australia

Not even the debut of a future chart-topping single can distract from the fact that it was a pretty lousy week for new pop music. Rock fans are well catered for, however.

The presiding chart-topping single this week in 1993 was still "You Don't Treat Me No Good" by Sonia Dada, which spent its second week at number 1, while their other hit was at number 4.

Off The Chart

Number 93 Zillian And The Zig Zag Men by Zillian And The Zig Zag Men

Peak: number 93

There's very little info about this Australian rock band online - and I'm not 100 percent sure if "Stay With Me Tonight" was the lead track of this self-titled EP. As a song, it sounds like any number of pop/punk tracks from a decade later. Too ahead of their time?

Number 92 "Leave It Alone" by Living Colour

Peak: number 59

Not even the lead single from a brand new album could put Living Colour back inside the top 50, although they came close with this track from Stain.

Number 87 "I Will Always Love You" by Dekko

Peak: number 79

The '90s is littered with rush-job dance remakes of massive hits, and they don't come more awful than this painful version of the ballad recently made inescapable by Whitney Houston.

Number 73 "Is This Love" by Radio Freedom

Peak: number 51

Speaking of terrible and wholly unnecessary cover versions, Radio Freedom tried to do a Rockmelons and refresh the Bob Marley & The Wailers classic. They did not succeed.

New Entries

Number 50 "No Time" by Frente!

Peak: number 50

When Australia turns, we turn hard. A couple of months earlier, Frente! were enjoying a top 10 single - their second in a row - and album, but this follow-up to the much-reviled "Accidently Kelly Street" could only scrape the very bottom of the top 50. And it's not like people carried on buying the album instead, with Marvin The Album plummeting out of the top 50 by the beginning of April. Seems like Frente! were suddenly not cool, despite the fact that "No Time" is actually a really good song. I don't think I've ever noticed just what a jangly little pop gem it is before, because I, like much of the rest of the country, decided I wasn't interested in hearing anything else the band behind "Accidently..." had to offer. It was going to take something pretty spectacular for Frente! to get back in the game...

Number 49 "Forever In Love" by Kenny G

Peak: number 49

After flirting with the soothing sax sounds of Kenny G in the past, Australia really got on board with his Breathless album, sending it all the way to number 1. On the plus side, this Grammy-winning slice of instrumentalmuzak was his only singles top 50 appearance as a lead artist... and only for one week.

Number 47 "Sundial" by Tumbleweed

Peak: number 35

This breakthrough hit by Woolongong band Tumbleweed isn't so bad, actually. In among the distorted guitars, there's a catchy melody, but just as I paid "Sundial" little attention at the time, I doubt I'll be adding it to my collection now. Tumbleweed would go on to have top 10 albums success in the coming years, but this was their biggest hit on the singles chart.

Number 10 "Cats In The Cradle" by Ugly Kid Joe

Peak: number 1

1993 was quite the year for rock bands having big hits with remakes, and there was none bigger than this cover of the top 10 single released in 1974 by Harry Chapin (which came with an apostrophe in "Cat's"). Based on a poem written by Harry's wife, Sandy, the song told the story of the changing nature of a father and son's relationship over time. Save for a few lyrical tweaks, Ugly Kid Joe's version hewed quite closely to the original - just with a heavier rock feel than the folkier original. By reaching number 1 in Australia, "Cats In The Cradle" gave Ugly Kid Joe a second - and final - top 5 hit locally. Interesting chart quirk: Harry's original version reached number 6 locally and number 1 in America, while the peaks for this cover were exactly reversed.

Listen to this week's new entries on my Spotify playlist of all the top 50 hits from 1993:

Next week: another rock band covers a hit from decades past, while another future chart-topper blasts its way straight into the top 10.

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